The Bad Sneakers
story begins in 1975 when Shane Faber and Ward Camp
met at the University of Miami Music School in
Miami, Florida where they wound up in the same band,
Ice Nine. After graduation, Ward returned to
Maryland, purchased a TASCAM 1/2" 8-track
recorder and started writing and recording original
material. Shane made a couple of trips up to
collaborate and in 1979, they decided to officially
join forces, compose material for an album and form
a group. Thus, Bad
Sneakers was born.
1979- The original group was a 3-piece band. The
instrumentation was:
Ward Camp- Fender bass, Wurlitzer electric piano,
Prophet 5 synthesizer, vocals
Shane Faber- Electric guitar, Wurlitzer electric
piano, ARP guitar synthesizer, vocals
Bill Dube- Drums, Lights, vocals
We made a lot of noise for just 3 guys! We played
our first job in June 1979 in Chestertown, MD
playing a mix of covers and original material and
quickly developed a local following. From our first
batch of songs, we pressed a single,
"Angeline". As the word spread, we began
to get more jobs but this version of the band played
its biggest and last gig at the 'End of the Decade
Party' at the State Theatre in Newark, DE on
December 31st, 1979. Bill had gotten an offer to
join the Johnny Neel Band and decided to take it, so
Ward and I started looking for new members.
We began auditions looking for a bass player and
drummer but along came 3 guys who wanted a package
deal; Dale (bass), Neal (drums) and Marc (guitar).
They were fresh off a 30 day stint in a disco band
at the Tally-Ho in Wilmington and hiring all of them together was the only option. They were
among the best musicians we had seen and ready to
go, so it was a no-brainer. Bad Sneakers v2.0 was off
and running.
1980- Bad Sneakers v2.0 5-piece band instrumentation:
Ward Camp- piano, Prophet 5 synth, mini-moog, vocals
Shane Faber- Electric guitar, vocals
Marc Moss- Electric guitar, vocals
Dale Dallabrida- Fender bass, vocals
Neal Tillotson- Drums, vocals
The new group continued growing a fan base and
playing a wider geographic region, spreading into
South Jersey, Pennsylvania and Maryland.
Meanwhile, BS began writing and recording new
material which would ultimately provide the songs
for 'Sneak Attack', the first Bad Sneakers album
released in 1982 on the group's own label, Now and
Then Records.
Everyone contributed songs, production ideas and
musical parts as needed. We were always
experimenting and trying new things. All the
recordings were made on a TASCAM 1/2" analog
8-track and mixed down to 1/4" analog 2-track.
No MIDI, no digital, no samplers baby, we played and
sang it all. All the albums were released on the
band's label. As it turns
out, we were doing the project studio concept before
it was even invented!
In mid 1983, Ward decided to leave the group and
once again the band was forced to evolve. The
remaining 4 members decided to push the envelope,
taking advantage of some new technologies. Neal got
a Simmons drum kit (the first synth drum pad drum set
available) and Marc, Dale and Shane all got small,
polyphonic synthesizers with patch memory, and
Steinberg style 'stick' guitars. In addition, we all began using headset microphones in our live
performances.
1984- Bad Sneakers v3.0 4-piece band instrumentation:
Shane Faber- Electric guitar, Roland Juno60, vocals
Marc Moss- Electric guitar, Prophet600, vocals
Dale Dallabrida- Fender bass, Moog Prodigy, vocals
Neal Tillotson- Simmons Drums, vocals
We
certainly had a new look and a leaner sound which
began to open some doors for us.
Its funny now, but at the time, mixing synthesizers
with rock and roll was quite controversial!
The second album,
'Beat the Meter', was released in mid 1984 and was
well received by college radio. We were approached
by an independent video production company that
wanted to catch the MTV wave, and ended up shooting
a video for 'Caught In The Act' which got some
national airplay as well. The band continued to play venues, up and down the
mid-Atlantic and Northeast US, and write and record
new material.
In 1986, a third album was released, 'Big Ducks in the Basement'. This was the
last recording released by Bad Sneakers. Dale left
the group in the spring and Charlie Hill took over on
bass. I left the band in September. Marc and Neal continued on for another
year or so, but the writing was on the wall.
Looking back, it was an extraordinary experience. We
had some truly great times together, both musically
and otherwise! We also had many loyal fans who
bought the albums and came out to see us play. Thank
to all of you out there who supported the band.
As the Big Ducks intro says,
'Radio sucks', it still sucks and a lot of the music we made
back in the day, still sounds pretty damn good. Here's your chance to crank it up and check out some
vintage 1980's jams ala Bad Sneakers.
Thanks for listening.
Shane Faber August
2007